In this episode leading up to the 2020 Presidential Election, David and Joey sit down with directors Estefanía Fadul and Galia Backal to discuss their collaboration on Carla’s Quince, an immersive virtual experience that uses theatricality to empower Latinx voters in the U.S. to use their vote to create the change they want to see in their communities.


Estefanía Fadul (she/her) is an NYC-based Colombian-American director and producer of new work. Recent: Carla’s Quince created with The Voting Project, Noelle Viñas’ Zoom Intervention (Weston Playhouse, NYTimes Critics Pick), Christina Quintana’s Azul (Southern Rep) and Scissoring (INTAR), Stefan Ivanov’s The Same Day (Sfumato Theatre, Bulgaria), and Preston Max Allen and Jessica Kahkoska’s Agent 355 (Chautauqua, NYSAF). Estefanía is the inaugural recipient of New York Stage and Film’s Pfaelzer Award, an alumna of the Drama League’s Fall Fellowship and TV Directing Fellowship, O’Neill/NNPN National Directors Fellowship, Foeller Fellowship at Williamstown, Van Lier Fellowship at Repertorio Español, and NALAC Leadership Institute. She is a co-leader of the New Georges Jam, and a member of the Latinx Theatre Commons steering committee, Lincoln Center Directors Lab, and SDC. B.A. Vassar College.


Galia Backal (she/her) has acted as director and creator for collaborative works including A Very Girly Story (EAT), One Day Older (Theatre Row), Silence (The Tank), Nightcap (Match:Lit Theatre Company), and If I Dare (Layton Studios). Galia is a cohort member of the 2020 – 2021 Roundabout Directors Group, The Civilians 2020 - 2021 R & D Group. She has worked with The Sol Project, The Drama League, Samuel French, Atlantic Theater Company, The Broadway League, Theatre for a New Audience, The Tank, and LaGuardia Performing Arts Center. Recent productions include Inútil by Alisha Espinosa (Teatro LATEA), Canciones Project Workshop by Beto O’Byrne (The Sol Project), The End Of Incorporated Filth by Chloe Hayat (The Chain Theater), West Side Story (Bay View Music Festival), Latch by Tom Mularz (Samuel French OOB Festival), Gruesome Playground Injuries by Rajiv Joseph (Schaeberle), and July 7, 1994 by Donald Margulies (Schaeberle). 




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This episode was mixed and edited by Iris Zacarias (she/they)

This week, David and Joey kiki with star of screen and stage Robin de Jesús about his role as Emory in The Boys in the Band, figuring out how to age gracefully like Jane Fonda, and never losing the will power to stay curious. 


Robin de Jesús is a three-time Tony Award nominated actor. He received his first major role in the 2003 cult-classic film, Camp. He has since gone on to perform in various Broadway productions including: Rent, In The Heights (for which he received his first Tony nomination for Best Featured Actor in a Musical), La Cage Aux Folles (his second nomination), Wicked, and The Boys in the Band (for which he received his third nomination).

Additional theater credits include the Paper Mill Playhouse's productions of Grease and Godspell, the Shakespeare Theatre of NJ's production of A Very Old Man with Enormous Wings, the St. Louis Muny production of Aladdin as the title character, and the off-Broadway productions of Malpractice Makes Perfect, Zorba Musicals in Mufti, Patti Issues, Domesticated, and Homos or Everyone in America.

Robin can also be seen in various feature films and television projects such as Gun Hill Road (2011), Hair Brained (2013), How to Make it in America (2010) and in the recurring role of "Jose Silva" on Law & Order: SVU. He can be seen in the newly released Netflix film adaptation of The Boys in the Band (2020), produced by Ryan Murphy, where he reprises his Tony award-nominated role. He is currently in production for Lin-Manuel Miranda’s film adaptation of Tick Tick Boom.


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This episode was mixed and edited by Iris Zacarias

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